Thursday, April 19, 2012

Hong Kong to slam door on pregnant mainland Chinese

HONG KONG (Reuters) - Hong Kong may bar mainland Chinese mothers from giving birth in public hospitals next year to ease over-crowding in local maternity wards, the city's health chief said on Tuesday.

Since it reverted from British to Chinese rule in 1997, Hong Kong has benefited from its deepening integration with China. Yet the unfettered access of mainland Chinese to public services in the densely populated city has also caused social strains.

"Right now, we expect that in 2013, all public hospital obstetric services may be reserved for local pregnant mothers," Hong Kong's Health chief York Chow told reporters.

The comments came after the financial hub's leader-elect, Leung Chun-ying, said private hospitals should bar mainland Chinese mothers and that their newborns will no longer be able to claim permanent residence in the city.

"If they apply now and prepare to come to Hong Kong next year to deliver their babies, in all likelihood, their babies will not have permanent residency status in Hong Kong because once I assume office, I will surely work on this," Leung told Hong Kong's Cable Television in an interview on Tuesday.

Leung, a property surveyor and Beijing loyalist was chosen in March to succeed the bowtie-wearing Donald Tsang by a 1200-member, largely pro-Beijing election committee, in a scandal-tainted contest that protesters denounced as a "small circle" affair puppeteered by Beijing's leaders behind the scenes.

Leung's tough stance on the mainland mothers signals a move toward a more populist agenda once he takes office on July 1, that has included pledges to provide more land for public flats and to make housing more affordable.

NO SPECIFICS

Leung did not say if the city would pass laws or use other methods to stop the children of mainland parents from gaining the right of abode, or permanent residency, in Hong Kong.

The pledges by authorities to tackle the hot-button issue come after street protests by local mothers, heated online debates and provocative advertisements in local newspapers denouncing mainland Chinese visitors as "locusts", including mothers crowding out Hong Kong's maternity wards for months.

In 2010, of the 88,584 newborns in Hong Kong, around a third, or 32,653 were born to mainland women, up from 620 babies in 2001.

The influx has spawned an industry of agents shuttling Chinese mothers across the border, hiding them in illegal 'inns' before birth, partly to circumvent China's one-child policy and also to gain the right the live in one of the world's most developed, wealthiest cities.

A broad provision in Hong Kong's mini-constitution grants Hong Kong citizenship to any Chinese born there.

"Everyone should know Hong Kong society already has a clear consensus about this matter. One, delivering babies of couples with no residency right is not the way we want to develop our healthcare industry. Two, such offspring are not the solution to the problem of our ageing population," Leung said.

Chow, the city's health secretary, said that he was in touch with Leung and respected his view of suspending the quota system, but a final decision had yet to be made.

Private hospitals that increasingly rely on maternity services said a sudden policy change would have a major impact.

"Can we change our mode of operation? Yes we can, but not suddenly. If we are given say three years, we can make a long- term plan," said Alan Lau, chairman of the Hong Kong Private Hospital's Association.

But Henry Yeung, president of the Hong Kong Doctors' Union, said blocking automatic permanent residency would ease the crowding at maternity wards.

"This move will return maternity beds to local mothers. Before this trend, private hospitals managed to survive."

(Additional reporting by James Pomfret; Editing by Ed Lane and Daniel Magnowski)

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PSA: I'm Watch smartwatch series ready to ship, as soon as it confirms the destination

I'm Watch series ready to ship

All things I'm Watch went a bit quiet following the unveiling of its latest series of smartwatches at CES 2012 several months ago. Now there's finally been an update -- we've heard from a kindly reader that the Italian manufacturer is now ready to deliver on its preorders, requesting a final confirmation of delivery details before they leave the warehouse. Those willing to stump up the substantial amount -- prices start from €340 ($445) -- for these sapphire glass-coated timepieces will get to dabble with a watch-friendly version of Android 1.6. While this means the device will only be able to access a fraction of Google's app catalogue, at least there's a whole gamut of colors and material finishes to choose from -- with the requisite price difference, of course.

[Thanks Owen]

PSA: I'm Watch smartwatch series ready to ship, as soon as it confirms the destination originally appeared on Engadget on Wed, 18 Apr 2012 13:59:00 EDT. Please see our terms for use of feeds.

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aTV Flash (black) for Apple TV hits version 1.5, brings new player, NFS streaming and more

aTV Flash (black) for Apple TV hits version 1.5, brings an overhauled player, NFS streaming and more

Folks enjoying all the tidbits aTV Flash (black) brings to the 2nd-gen Apple TV will be happy to know there's a fresh update rolling out now. Inside v1.5, FireCore's added new features such as NFS streaming, as well as including other minor things like extra transitions, subtle timing settings and support for more languages. In addition, and what's perhaps the biggest enhancement, the $29.99 kit is also getting an all-new player, which promises a smoother playback regardless of the file type being used -- not to mention it's optimized for iOS 5. Of course, the refresh is gratis to those who've already shelled out the cash, and you can get to it by hitting the "Manage Extras" menu on Cupertino's miniature box. Not familiar with aTV Flash? Give the source link below a quick click to peruse all about it.

aTV Flash (black) for Apple TV hits version 1.5, brings new player, NFS streaming and more originally appeared on Engadget on Wed, 18 Apr 2012 22:23:00 EDT. Please see our terms for use of feeds.

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Angelina Jolie Cried Tears Of Joy During Proposal

Angelina Jolie Cried Tears Of Joy During Proposal

Angelina Jolie reportedly became very emotional when her partner of seven years proposed to her. The “Moneyball” actor spent a year designing the perfect engagement [...]

Angelina Jolie Cried Tears Of Joy During Proposal Stupid Celebrities Gossip Stupid Celebrities Gossip News


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Londoners mourn as teletext goes dark, a victim of the DTV transition

Londoners mourn as Teletext goes dark, a victim of the DTV transition

Despite the many advantages of digital broadcast television, the transition is separating Europeans from a reliable source of information known as teletext. Citizens of London are the latest to experience the loss, as analog signals in the region were switched off just yesterday. Ceefax, a service of the BBC, has provided millions of Britons with news, sports, weather, television listings, subtitles and games for the past 38 years, and is now accessible only in Kent, Sussex, north-east England and Northern Ireland. Soon, it may cease to exist altogether.

Seen as a precursor to the internet, teletext is a free service that's heavily rooted in analog PAL signals, where small packets of data are sent in the vertical blanking interval, which is otherwise unnoticed by viewers. Because the information is broadcast, users were never subject to network congestion, and only needed to wait a brief moment for their desired page to be transmitted -- more advanced televisions even cached this information locally. As part of the airwaves, the service is naturally free, and in that sense, it lacks a suitable replacement. As with all progress, however, there are casualties, and teletext was an unfortunate bystander. Those who cherished the service can take a moment to relive the memories in the links below.

Londoners mourn as teletext goes dark, a victim of the DTV transition originally appeared on Engadget on Thu, 19 Apr 2012 00:42:00 EDT. Please see our terms for use of feeds.

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'Rock Of Ages' Spotlights A Tom Cruise You've Never Seen

'He's a guy who loves challenges,' enthuses director Adam Shankman, as part of MTV News' Summer Movie Preview Week.
By Amy Wilkinson


Tom Cruise in "Rock of Ages"
Photo: Warner Bros

This summer, the city — and the cinema — will be built on rock and roll when "Rock of Ages" packs its ax, journeying from Broadway to a theater near you.

Set in Los Angeles and featuring the biggest jams of the '80s, the movie musical follows busboy/ aspiring rocker Drew Boley (played by Diego Boneta) as he falls for new-in-town Sherrie Christian (played by Julianne Hough) and lands a gig opening for rock legend Stacee Jaxx (Tom Cruise). All the while, greater forces are at work trying to convert the drug- and sex-fueled Sunset Strip into a safer, gentler piece of prime real estate, much to the chagrin of the bandannaed masses.

In anticipation of opening night (June 15), MTV News caught up with director Adam Shankman ("Hairspray") to chat about Tom Cruise's crazy work ethic, '80s nostalgia and the perils of working with a baboon.

MTV News: Movie musicals are nothing new for you. What is it about translating a work from stage to screen that is so compelling?

Adam Shankman: It's a matter of, I guess, finding a story you enjoy telling and a medium you enjoy. I grew up doing musical theater, so it's something that's in my bones, and I love it. I feel it's always informed a lot of the way I think and the way I approach material. It's just sort of a natural thing for me to be doing, given my history with music and dance and all that. All I ever wanted to be in my life was a chorus boy, so how things turned out couldn't be a bigger surprise to me.

MTV: What was it specifically about "Rock of Ages" that drew you in?

Shankman: I thought, "Holy moly!" Here's an opportunity to make a musical truly for straight men. I mean, straight guys walk into the theater and they know every word of the music. So it's a completely different experience from girls having to drag their boyfriends to boys dragging their girlfriends.

MTV: There's been a lot of '80s nostalgia in pop culture lately. Is that an era you're particularly nostalgic for?

Shankman: I mean, that was my time. I graduated high school in '82. My dad's office was on Sunset. I saw my first concert at the Roxy. I was choreographing music videos in '87 when, it happens, I actually choreographed a video for someone whose music is in the movie. It was, you know, the last time I remember everything being kind of innocent. Everything kind of shifted then, suddenly fun became drug addiction and crazy, casual sex became AIDS. It was the end of all of that.

MTV: Diego Boneta, who plays Drew, is a fairly under-the-radar talent right now. How did he land the role?

Shankman: His audition just sort of stopped me in my tracks. I saw it on my casting website. I've seen hundreds and hundreds of guys on there, and his stopped me because there was no acting — he just was that guy. And he also sang so great. In the best casting moments, you're looking at somebody and saying, "How much do I have to do with this person to get them there?" I just looked at him and he just dropped into it very easily and naturally. And then, of course, there's that face.

MTV: One of the film's many familiar faces is Tom Cruise, though I have a feeling this is a Tom Cruise we've never seen before.

Shankman: We have definitely never seen him do this before. A lot of the joy in this for him was just the adventure of trying something that was so foreign. I think part of the reason that he said yes to doing it was that he was so stunned that he was asked, and he thought, "Oh my god, of all the millions of things I've done in my career, nothing has ever been like this." He's a guy who loves challenges.

MTV: We did see him sing in "Top Gun."

Shankman: Not like this.

MTV: For fans of the original, how closely does the film hem to the Broadway musical?

Shankman: It's pretty close. I mean, I changed who the villains are. They were Europeans in the play, and I wanted them to be more L.A.-based so it had more of a local resonance. The character Lonnie, the Russell Brand character, isn't the narrator. I didn't think the movie should have a narrator. But in terms of spirit, the boy-meets-girl and what happens to the boy and girl is very close.

MTV: Is there a favorite musical number for you?

Shankman: I never cease to be in awe of "Pour Some Sugar on Me" because it was Tom on his first day of shooting, and he spent the day performing it for a giant crowd, and Def Leppard showed up on set and were there. That was an incredibly crazy, magical day.

MTV: Conversely, there's always a scene or two that give a director pause. Any particularly difficult moments for you on the set?

Shankman: Well, I have one of those that turned into one of the best scenes in the movie. There's a giant protest outside of the Bourbon, where Catherine Zeta-Jones and all the anti-Bourbon moms and all the rockers are fighting and they do a mash-up of "We Built This City" and "We're Not Going to Take It." Then, you know, we had the baboon there and the baboon got loose, and it was a nightmare and nobody could move because it was going to eat your face off. And then we were standing there for 20 minutes stuck on the street. Bizarre, bizarre day. On top of which, it was just really daunting because there was a lot going on. We had Sebastian Bach and Debbie Gibson and all these rockers there from that period. It was insane.

Check out everything we've got on "Rock of Ages."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

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