92% No

All Critics (75) | Top Critics (25) | Fresh (69) | Rotten (6)

It's a funny look at the way the media warp public opinion, and a curiously hopeful one.

On every level, "No" leaves one with bittersweet feelings about democracy, love and the cost of compromise.

If you can shake off the inherent grossness of mining the Pinochet years for yet another Mad Man-style deification of zeitgeist-grasping salesmen, this is moderately interesting stuff.

If there are fewer white-knuckle showdowns than in a Hollywood movie, the trade-off is a cool, ironic intelligence that ripples off the screen and up the years to where we live.

"No" stands proudly in a select sub-category of historical fiction films that work, completely and satisfyingly, as their own movies.

Garc?a Bernal quietly carries this film as a soft-spoken kid in blue jeans and untucked shirt.

Stirring as a celebration of voter empowerment, No may also inspire pangs of wistful nostalgia.

Fascinating work from director Pablo Larrain and screenwriter Pedro Peirano, who manage to slip into the skin of a beleaguered country and detail the urgency of a revolution, sold one jingle at a time.

Swims upstream against high-definition with a defiantly lo-fi approach that's also ingeniously evocative of the historical period.

Wildly colorful strokes, full of bitter humor.

It's a fascinating and surprisingly fun look behind the scenes of politics and media.

An Oscar-nominated win for more than just political junkies.

A worthy and a quite interesting slice of modern international history ...

Paranoia mixes neatly with optimism in this dramedy about the ad campaign that made Chile democratic.

It hangs on three ideas...While each...is intriguing, the execution of all is less than satisfying.

Larra?n's script is punctuated by dark bursts of humour, and the filmmaker knowingly navigates his audience to a nail-biting - though never cloying, and fully warranted - climax.

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Source: http://www.rottentomatoes.com/m/no_2012/

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